Meet Nic.

I’m Nic — a Christ follower, husband, girl dad, filmmaker, creative director, storyteller, former Navy veteran, and lifelong believer that people are more interesting when they are not trying so hard to look interesting.

I create wedding and brand films for people who care about meaning, emotion, and the experience behind the final piece.

Before I cared about cameras, timelines, drones, edits, gear, or whether a lens has “character,” I cared about stories.

The kind that shape families. The kind that build trust. The kind that help people remember who they are, what they survived, what they built, and who was standing beside them.

That is still what drives the work.

I have spent more than 16 years in storytelling, communication, creative direction, and film. I’ve worked with couples, business owners, nonprofit leaders, executives, families, teams, and people who swore they would be terrible on camera.

They were usually wrong.

My work has always been about people.

Cinematic, but never performative.

I love beautiful light, movement, music, texture, and a film that feels like it has a soul. But I never want the production to become more important than the people.

I give direction when it helps. I step back when the moment is already there. I keep things calm when the timeline gets tight. I notice the small things. And I care about the final film like it matters, because it does.

The goal is not to make you look like someone else.

The goal is to make the real thing feel unforgettable.

At home in Michigan.

Comfortable anywhere.

My work has taken me from celebrations to projects across the country and around the world

including Thailand, Israel, Jamaica, Alaska, Florida, Texas, Colorado, Mississippi, North Carolina, Virginia, Louisiana, Mexico, and beyond.

Travel has shaped the way I see stories.

It has taught me to adapt quickly, read a room, respect the setting, and stay calm when plans shift.

That matters on a wedding day. It matters on a production day. It matters anytime people trust you with something they cannot recreate.

Can I get real for a second?

The best compliment I get is

not about the film.

I want you to love the finished piece. Of course I do.

But I also want you to love how it felt to make it.

People often tell me I made them feel comfortable, calm, encouraged, and seen. This is coming from both clients and other vendors. That matters because the experience behind the camera always shows up in the final story.

A tense room looks tense. A forced moment looks forced. A person who feels comfortable?

That is where the story is.

I love meaningful conversations, honest moments, good music, beautiful places, and films that make you feel something before you fully understand why.

I also believe most people are about 90 seconds of good direction away from being comfortable on camera.